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When I first began my journey as a songwriter, the word - copyright - was a term that
was made up of equal parts mystery, awe and paranoia. On one hand, horror stories about
"song stealing" and fortunes lost as the result made me realize the importance of insuring
that my songs were protected by law. But on the other hand, the process of copyrighting
appeared to be so bureaucratic and complicated that the thought of it was overwhelming!
So, for quite a long time, I simply ignored the whole matter and hoped it would go away.
It didn't - so I finally had to face it. And if I had known then what I know now, I would
have realized that the word copyright is kinda like eggplant. Although the word sounds
pretty scary, but when you actually try it….it ain't so bad after all!
The definition of copyright is very simple - it is the exclusive right to copy,
reproduce, publish and sell a literary, musical or artistic work. The good news is that
you really don't have to do anything except write a song in order to be protected by the
Copyright Law. It goes into effect automatically the moment the expression of an original
idea becomes fixed in a tangible form or medium - such as written lyrics and/or
transcribed notes on music paper and/or an audio recording.
The key word here is fixed. As long as your song is simply floating
around in your head or just a melody you sing in the shower, it has not
yet taken on a tangible form. It is obscure and hazy - UNTIL you transcribe
it on paper or on an audio recording of any kind. From the moment the
ink is dry - or the words and music are recorded on tape or CD - the song
is solely owned by the writer(s) of the song and is automatically protected
by the Copyright Law for seventy years AFTER the writer's death! In the
case of two or more writers, copyright protection extends to seventy years
after the death of the last surviving writer. The correct way to show
such ownership is the word Copyright or the letter C in a circle followed
by the name(s) of the writer/owner(s) and the year the song was completed.
This notice should appear on all your lyric sheets, lead sheets and demo
recordings.
Most people in the Music Business understand common copyright law and will not try
to steal songs from the writers. However, if you are exposing your songs to a wide
variety of publishers and record companies, it is wise to also register your copyrights
with the US Copyright Office in Washington, D.C. Since there is a government form to fill
out and since there is a charge for each registration, songwriters frequently resort to
what is called the "poor man's copyright." They mail a tape and/or written words and
music to themselves in a sealed, postmarked envelope and then file the package unopened
as proof of the originality and date of the composition. This may offer some authenticity
and proof of your copyright ownership, but it is just as simple and far better to just go
ahead and register the song(s) officially with the Copyright Office. And I'm going to show
you how to do it cheap - so read on!
First, call the Copyright Office "forms hotline" in Washington and request
several copies of the PA Copyright Form. "PA" stands for Performing Arts and is used
for songs. For lyrics only, you can request a TX Form (for Text). The hotline phone
number is 202-707-9100. You will get a recorded message instructing you as to how you
can request the forms which will be sent to you free of charge. The form will include
instructions that will lead you step-by-step in filling it out correctly. It is
important to follow the instructions exactly. If you goof up, your registration form
will be returned to you with a note from the Copyright Office explaining your error and
you will have to re-submit. Forms may also be downloaded online from the
US Copyright Office
website.
For each PA Form submitted, there is a $30 registration fee required.
If you only register one song at a time, this procedure can get very expensive
- especially if you are an obsessive-compulsive, prolific songwriter. However,
there is a cheaper way! You can wait until you have several songs ready for
registration and then register them as a "collection." The collection can contain
any number of songs (my last submission had over 20) and it will still cost only
$30 to register. I simply call my collections The Songs of Mary Dawson - Volume 1
(or Volume 2…or Volume 3…or whatever). You will need to send your completed PA form
along with copies of the lyric and/or lead sheets for each song and/or a cassette
or CD demo of the songs in the submission.
It takes several months for the registration procedure to be completed, but
you will eventually receive your copy of the registered form in the mail. Be sure
to file it in a safe place along with the titles of the song in that collection.
If and when you decide to sign a songwriter's agreement with a publisher or record
company, the copyright for the song(s) in the agreement will have to be re-registered
to show transfer of ownership of the copyright to the publisher. However, it is a very
simple procedure to re-register the song(s) and it will usually be the responsibility
of the publisher you are dealing with.
If you are a singer/songwriter who decides to record an album of your own songs
to sell at your concerts etc., you will need to also register the entire recording so
that the album as a whole is also protected by copyright law. This requires an SR
(stands for Sound Recording) form which is different from the PA form described above.
The symbol for this copyright is the letter P (for Phonogram) in a circle. You will
notice this symbol on the backs of commercial recordings and it should also appear on
any albums you manufacture. If you need further information on this form - or if you
have any other questions relating to copyright - you can actually get a human being at
the Copyright Office by dialing: 202-707-5959.
If you can digest most of the above information, you will have a basic
working knowledge of the matter of copyright. The Copyright Law -
like any legal statute - is filled with intricacies and fine points that
can only be understood by professionals who are specialists in that field.
But you need not be intimidated nor overwhelmed by the concept. If you
are faithful to mark your songs with the proper copyright notice and to
regularly register your songs with the US Copyright Office, you can freely
hoist your sails and cruise the seas of the Music Industry knowing that
"the Law is on your side" and will protect your songs from Song Pirates.
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